This past year, my students took on the largest film project ever attempted at JWMS.  Jebari, one of my 8th grade video production students, wrote a really wonderful script about a boy whose parents are getting a divorce; the boy decides to get creative and seek lost treasure in order to solve his parents’ financial woes and save their marriage. Where does one find a sunken pirate ship and lost treasure in the middle of the southern California desert? At the Salton Sea, located at the eastern end of the Coachella Valley. Based partially on local lore, Jebari cobbled his script together from various versions of the legend of the lost ship and his own creative ideas.

When Jebari came to me with his project idea, I was immediately supportive because my favorite answer to give students is, “Yes!”  I thought his idea was original and the script had the potential to make an emotional impact as well. Jebari wanted to cast the movie with AV Club students and utilize video production classmates to round out his crew. All of it - the story, the performances, and the potential success of the project hinged on filming on location.  Though my students currently have access to a green screen and three-point lighting, Jebari and I talked at length about how much we needed to be able to film off campus. Enter DigiCom Productions and two of the producers of the Palm Springs Unified DigiCom Film Festival, David Vogel and Dr. Lee Grafton.  They graciously read Jebari’s script and decided to fund almost $1,000 of travel expenses for my students to be able to plan and execute two days of on location filming. We filmed at two different sites: the Salton Sea and a residential neighborhood in Indio. (Our school is located in Cathedral City, at the west end of the Coachella Valley.)

Here’s a look behind the scenes of “Lost Ships”...

Throughout the production of “Lost Ships,” my students and I learned two big lessons.

The first realization we reached is that movies are made in the editing room. The first cut of “Lost Ships” was over twenty minutes in length; the second cut didn’t get much better and sat at a solid sixteen minutes in length for the better part of a week as we scratched our heads and tried to figure out how to condense the storyline. After several more cuts and many hours, Jebari and his assistant directors and editors adopted a non-linear approach to the storytelling of “Lost Ships.”  It wasn’t until we all agreed to throw the script out and create the best story from the footage we had that my students struck gold.

The second lesson we learned involves some ideas about filming on location: You will always need to do a reshoot.  Before filming on location, my students drew extensive storyboards, tirelessly rehearsed their script, planned to accommodate for lighting changes throughout the day, and even then, they needed to do a reshoot.  No matter how prepared you are going into it, there will always be elements out of your control, unforeseen complications, and moments during post-production when you think, “If we only had a shot of _______.”  Hence, having the opportunity to revisit locations is crucial to creating the best product possible. 

Here is what Jebari had to say about filming on location:

Students worked for over five months to produce "Lost Ships" from beginning to end.  Their dedication and passion for this project really paid off, as demonstrated in their final product...

The cast and crew of “Lost Ships” were recognized recently at the California Student Media Festival as “Lost Ships” won an award for “Best Storytelling.”  Students were also staggered to learn that in a little over a week, “Lost Ships” will premiere at the Palm Springs International Short Film Fest as part of the DigiCom Best of Fest Student Showcase!  Also, Jebari and another student from my video production class, Gina, will receive all access filmmaker’s passes at Fest to be able to interact with adult filmmakers from around the world…wow!

Since Jebari is an 8th grader, he promoted to high school this past Thursday, as did two of the film's actors, Brent and Marissa.  Having been their video production teacher for the last three years, I will be honest and admit that I had a couple of tearful moment in my classroom after all my kids left.  Sometimes, there are groups of kids who have this incredible, beyond ordinary connection - with one another, with me, with the medium of digital storytelling. So, sometimes it’s hard to say goodbye. But I definitely know that these kids are destined for great things.  I'm looking forward to seeing what they do in the future!

There is little that I love more than sitting in the audience at a film festival, watching my students as they see their work appear on the big screen.  By the time we end up at the festival, we've all seen the movie countless times during the editing and revision process.  Most of us can quote the dialogue word for word and we know every transition and special effect by heart.  So, when we're sitting there in a darkened auditorium, I don't take time to watch the film as it rolls across the screen; for me, it's a far more powerful experience to watch the expressions on my students' faces as they are overwhelmed by pride and a deep sense of accomplishment.  It's a thrilling experience - whether it's their first time at a film festival or what feels like their billionth.  Their smiles are always huge, their eyes always shining, and in those moments, I know exactly why I am a teacher and why I choose to include digital storytelling in the curriculum. 

Connecting with students through the medium of film is one of the aspects of teaching that I am most passionate about. We take film making very seriously in Room 208, probably because there is no shortage of inspiration to be found in each other and the process of learning.  Sometimes it seems like the world readily discounts what middle school students might have to say because, yes, middle schoolers can be immature, squirrelly, and obnoxious. But they can also be serious, ambitious, humorous, and even poignant.  Even after integrating student film making in the curriculum for six years, students can still amaze me with what they are able to produce.  

Last night, my students and I attended the 2013 DigiCom Student Film Festival.  We had a blast watching both our own work and the work of other students.  One of my students was awarded a video camera for directing the award-winning film, "Identity Crisis."  Last year, he won a video camera for directing a film noir piece, "The Lady In Black" and editing the award-winning, "Spitball Love."  He has been an active student in my video production class for the last two years and a member of the after school AV Club that I advise.  Film making is his heart and it shows.  I love knowing that we have been able to forge a teacher-student bond based on the creative process of film making.  When he geeks out about a new script idea or a special effect he's working on, I geek out, too!  It's awesome. 

Award-winning films from Room 208 that were shown at last night's DigiCom include:

• Identity Crisis
• Math Genius
• CST Remix

Also, The Desert Sun covered my students in two separate articles this past week:

Probably the icing on the cake at this year's festival was the classroom grant that I was awarded, consisting of four iPads and $4,000.  What an amazing, unexpected blessing!  Here's a video clip of the big moment that was captured by and posted on The Desert Sun.